" From Their View "....James Clancy...Elizabeth James

 

Elizabeth James:



‘Colour in Motion’ captures
the characteristics of Water under different circumstances. My approach to this subject is varied and often experimental. I have spent many years 
experimenting and observing closely its many varied forms it adopts in different circumstances.

Capturing my findings has allowed me to study and record Colour in Motion, its transforming shapes & colours as it freely takes on its own direction and tones. The colours themselves carrying little or no commitment to the ebb & flow of the water as it takes on the body of life; taking us out of our sphere influence and bringing others in to it

 

More of her work..www.elizabethjamesart.com

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James Clancy:

 I drew on inspiration from classic cinema styles especially that of Film Noir and journey through the mystery and suspense within the shadows of the late night urban scenes to re-think privacy and to explore solitude and isolation through this examples of night photography pictures.

More of his work: www.jamesclancy.org

" From Their View "...Tanya Smith

These recent images are presented for the first time in public by Tanya Smith. She welcomes fellow Fine Art Photographers to comment with their opinions.



"This first image, entitled 'Thorns For The Crown' was captured using a Canon EOS 30D with a Sigma 35-75 lens at F8 1/125 with an ISO 800 setting.  Part of a self-assigned photo shoot I recently did called Finding Faith.  An arrangement on the walls of an historical Episcopal church I attend occasionally, I relate it to the crown of thorns Jesus wore on the cross.  The image is post-processed in Adobe CS5  for toning and effects, and will be printed on a Fine-Art Matte paper or Arches Watercolor paper (which is one of my favorites for images like this)."









My second image is entitled 'Strength of Character'.  Canon EOS 30D - Sigma 35-75, ISO 160, F16 @ 1/125 with 18mm focal length. This old barn is surrounded by chain link fencing, prohibiting me from closer contact and forcing me to shoot from an upward perspective to avoid the distraction of the fencing.  I love the character of old buildings and saw great strength in this barn.  The image is post-processed in CS5 to achieve an infrared effect and will be printed on a Fine-Art matte photo paper.


Tanya Jacobson-Smith
For more of my work check out my FAA page http://tanya-jacobsonsmith.artistwebsites.com/

" From Their View "...Marcus Brunström / Jonathan Brooks

From Marcus Brunström:
 
This is a series I shot for the Norristown Farm park in Norristown/East Norriton, PA, USA.
It’s shot with a Shen Hao 4x5 with TMAX 320 over the past few months.

The purpose of this series is to show the decay of mankind and how natures reclaims their property as soon as we leave it.

Photographer bio:
Marcus Brunström
Stehag, Sweden
For more of his work :   www.marcusbrunstrom.se
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From Jonathan Brooks:

These are two of my Femme Fatale Characters from my Skull Series.

One is from my first short film 5 SKULLS, which I finished in October and the other continues the series of characters.

For more of his work:

http://jonathanbmiami.tumblr.com/

From Their View : Corrado D'Angelo...

This week, Corrado D'Angelo shares his work and his own words.

" Two images from a larger portfolio (8 images) dedicated to a particular shop in my town, Turin, north of Italy. Its name was "Inferno" (Hell) and they sold strange garments for "strange" people (punk, dark, and so on). Really far from my gendre, but one rainy day I was strolling under the arcades of the town center with my camera and saw the girl arranging the shop's window with the heart.

I lifted my camera and shot: a short smile between us and I left. Few days ago I returned with the print of the photo and gave it to her. Well, so I started to work on the shop, on the girl and their clients, so different from me. I came back 5 or 6 times and found that "different" does not necessarily means even "dangerous".
My aim in photography is to tell stories and emotions, through images that are both pleasant for the eyes and moving for the hearth.
All images are hand printed by me, with a light final selenium tone: shot by Nikon F70, TMax 400 roll. "

More on me (and the whole portfolio) at: www.corradodangelo.com.

" From Their View " 2...George L.Smyth, Peter Gorwin, Jim Barnard

The second in our series open for discussion:

George L. Smyth:

At one time Braddock was a city of over 20,000 people, but the collapse of the steel industry and infusion of crack cocaine reduced it to a little over 2,000 inhabitants. However, this is not a place that has given up. A strong mayor and the determination of the people are starting to pay off, though there is a very long road ahead.

The Braddock Project - Part 1 is the beginning of a project where I will visit the city twice a year over the next decade to document the resurgence. This is a baseline that will tell us where it has been. Indeed, a number of these places no longer exist, as the city works its way back.

These images are scans of prints created through the Bromoil process, a labor intensive, time consuming procedure where the silver is removed from a traditionally created darkroom print and replaced with lithographic ink by striking its surface with a stiff, ink charged brush. It adds an ethereal atmosphere to the scene, allowing the viewer to enter and understand the image on their own.

For more images from this project visit www.GeorgeSmyth.com
HandMade Photographic Images: GLSmyth.com
The Dividend Reinvestment Resource Center: DRiPInvesting.org
Blog: GLSmyth.wordpress.comct please visit GeorgeSmyth.com

 Peter Gorwin:

 

a) The Birdbath in My Garden:
Photographed with a medium format 4x5, wide angle pinhole camera.
I took it using b&w film. I've printed it using a hybrid process, a Pictorico OHP
transparency generated from an Epson 2200 internegative, and then a Van Dyke.
The negative has also been scanned, and digitally printed using fine art paper.
It was captured several years ago while my wife and I lived in Southern California.
No need to explain anything about it further.

b) Cat and Her Shadow, Istanbul, Turkey 2007:
Captured with a Nikon D2X while on a trip to Istanbul in 2007 using a good
14 mm Nikkor 2.8 lens. The lens accentuated the the s-curve of the feral cat and her discovered shadow
while she was cradled in the the arc of the cobblestones. (I assume it was a "she," but I have
no way of knowing.)

It was shot in RAW color and brought to b&w through manipulation of the channels.
I then digitally sepia toned it. As usual for me, it would be printed on flat, natural rag.

I sometimes photograph animals when they reveal a certain intelligence, a certain awareness in the moment that I'm fortunate enough to capture.  Animals, however, are not a subject that I gravitate to often, just when I see what I just described. I'm very interested in saying things simply with my photos, but I hope what I aim to say with an image isn't that simple.
www.petergorwin.com

Jim Barnard:

The work and pleasure of my photography is discovering some particular beauty of a person, place or object, and then showing that beauty in play with the wondrous and sensual qualities of light.

In these portraits I used only natural light (and a white card) to illuminate the natural beauty of my subjects.

To see more of my work,  http://www.JimBarnardPhotography.com