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Showing posts with label fine art photographers. Show all posts
Showing posts with label fine art photographers. Show all posts

Saturday, April 12, 2014

" From Their View "....James Clancy...Elizabeth James

 

Elizabeth James:



‘Colour in Motion’ captures
the characteristics of Water under different circumstances. My approach to this subject is varied and often experimental. I have spent many years 
experimenting and observing closely its many varied forms it adopts in different circumstances.

Capturing my findings has allowed me to study and record Colour in Motion, its transforming shapes & colours as it freely takes on its own direction and tones. The colours themselves carrying little or no commitment to the ebb & flow of the water as it takes on the body of life; taking us out of our sphere influence and bringing others in to it

More of her work..www.elizabethjamesart.com
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James Clancy:

 I drew on inspiration from classic cinema styles especially that of Film Noir and journey through the mystery and suspense within the shadows of the late night urban scenes to re-think privacy and to explore solitude and isolation through this examples of night photography pictures.





More of his work: www.jamesclancy.org

Saturday, April 5, 2014

"From Their View"...Nancy Bechtol...Sean Costello

 
Nancy Bechtol  is a photographer, independent producer/director, artist and educator. She shares with us some of her views of Chicago.

‘Top o Willis Tower” Chicago.  Shot from the ‘Ledge’ on the Sky deck. (shot about 5 years ago then reprocessed several times, in PS using painting, and numerous layers)




‘Street view-track” Chicago. 2013. Corner of Lake and Wabash. Casual shot with my Samsung Cell. On the way to work, where I teach at Illinois Institute of Art. Downtown Chicago)

http://socialdocumentary.net/photographer/nancybechtol




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Sean Costello   shoots commercial portraits, architecture and fashion. His art shows a strong graphic sense in his work " Sanctuary "


To highlight the design of each church, I make high-contrast black andwhite photographs against a dark sky.

The  low angles serve to emphasize a sense of awe in the viewer at the monumental elements ofthe structure.




My goal is not to coerce people into a newfound faith,
but to celebrate the genius of combining a near perfect set of
physical and aesthetic architectural elements, to create a beautiful structure that reflects individual beliefs and ideals.

more of his work: www.seancostellophoto.com

Sunday, March 23, 2014

" From Their View"...Sigthor Markusson

From Iceland, Sigthor Markusson explores the other side of his commercial work and shows us the beauty of form and landscapes in  


" Bare Landscapes is a photographic expedition across the topography of Iceland.   The journey is mesmerizing as a visual exploration of natural bodies, that of the land and the female form. They  are exposed raw, unadorned and blooming. Whether resolved against volcanic rock, sequestered in craters of ice or simmering in hot springs, these images have been chiseled out of time, beautiful and natural. The Bare Landscapes project has spanned more than a decade, and will continue on as more images are created."

" After living in the US for so long and traveling back to Iceland each year I began to experience the country as a visitor might, taking in its raw beauty, and seeing the land like never before. It was upon one of those visits that the Bare Landscapes project began, when he started photographing, and appreciating what he had taken for granted for so long."






More of his other work can be seen at:
http://markussonphoto.com/

Sunday, March 16, 2014

" From Their View "...Tanya Smith

These recent images are presented for the first time in public by Tanya Smith. She welcomes fellow Fine Art Photographers to comment with their opinions.



"This first image, entitled 'Thorns For The Crown' was captured using a Canon EOS 30D with a Sigma 35-75 lens at F8 1/125 with an ISO 800 setting.  Part of a self-assigned photo shoot I recently did called Finding Faith.  An arrangement on the walls of an historical Episcopal church I attend occasionally, I relate it to the crown of thorns Jesus wore on the cross.  The image is post-processed in Adobe CS5  for toning and effects, and will be printed on a Fine-Art Matte paper or Arches Watercolor paper (which is one of my favorites for images like this)."









My second image is entitled 'Strength of Character'.  Canon EOS 30D - Sigma 35-75, ISO 160, F16 @ 1/125 with 18mm focal length. This old barn is surrounded by chain link fencing, prohibiting me from closer contact and forcing me to shoot from an upward perspective to avoid the distraction of the fencing.  I love the character of old buildings and saw great strength in this barn.  The image is post-processed in CS5 to achieve an infrared effect and will be printed on a Fine-Art matte photo paper.


Tanya Jacobson-Smith
For more of my work check out my FAA page http://tanya-jacobsonsmith.artistwebsites.com/


Sunday, March 9, 2014

" From Their View "...Marcus Brunström / Jonathan Brooks

From Marcus Brunström:
 
This is a series I shot for the Norristown Farm park in Norristown/East Norriton, PA, USA.
It’s shot with a Shen Hao 4x5 with TMAX 320 over the past few months.


The purpose of this series is to show the decay of mankind and how natures reclaims their property as soon as we leave it.

Photographer bio:
Marcus Brunström
Stehag, Sweden
For more of his work :   www.marcusbrunstrom.se
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From Jonathan Brooks:

These are two of my Femme Fatale Characters from my Skull Series.






One is from my first short film 5 SKULLS, which I finished in October and the other continues the series of characters.






For more of his work:

http://jonathanbmiami.tumblr.com/




Sunday, March 2, 2014

" From Their View "...Nikolay Semyonov

From South Russia, Nikolay Semyonov emerges on the art scene after a career as a teacher. His love of art lead him into photography. With a knowledge in Photoshop, he leans more towards Corel in his current work.



1) rr snow: RAILROAD SNOW. shot a few years ago when the first snow of the year started falling. the idea was to snow the mood of the moment;




2)1040477: SCHOOL HOLIDAYS. corel painter brushes (pallet knives, sargent brush, layering etc) on a photo of the local school on an early winter morning. gradation from warm to cold colors and the play of light were the two most luring things here;

3) 1060500: TIMUR. My  elder grandson
looking for how to get behind the door of a building in the neighboring public park. He has a syndrome and, when shooting him, I often stop to think if he'll ever be able to find a way for him in life. Processed in corel painter (surface texture adjustment, noise etc).


In fact, I use a lot of tools and a few processing techniques, depending on the image. I started with photoshop way back to the late 90s' but very soon corel painter became my Nomer Odin (#1 in Russian) software.

I've been a member of a few domestic and international sites, e.g. Redbubble (about 1,000 works), where you can find my portfolio at :

http://www.redbubble.com/people/snik?ref=account-nav-dropdown

Sunday, February 23, 2014

"From Their View"...Bernard Kessler...


The two photographs, Silent Space #3 
and #5 are in my book published by Blurb, SILENT SPACES, devoted to the exploration on the extraordinary in the ordinary.


 Simple photographs of things in otherwise empty space.  They are stark. without visible flamboyance, but filled with a sense of transcendental meaning that takes us beyond the visual surface.


 It is my experience that each and every thing we can see can be communicated with beyond the surface.  It is as though we are at the edge of a pond.  When we move from the edge’s surface into the depths our understanding of the pond increases.  The pond becomes more complete, more interesting, communicating its essence.

My experience over the 75 years I have been photographing is that the essence of the subject is not merely what I am seeing, but instead communicates from a different dimension,
a welcome, mysterious comfort.

A columnist reviewing SILENT SPACES suggested the content as an example of the art philosopher, Arthur Dante of Columbia University book, THE TRANSFIGURATION OF THE COMMONPLACE.  Not an easy read as I searched for an explanation. It is a scholarly document exploring, analyzing, diagnosing the process but no "how tos." 
I have  been introduced to many possible explanations.  It has been an interesting exploration ranging from the spiritual beliefs of Native American Indians to Quantum Mechanics, via Werner Heisenbergs’s  UNCERTAINTY PRINCIPLE.

Evidence of what happens is clearer than how.
So be it.
more of Bernard's work ...http://www.flickr.com/photos/zennature ... 

Sunday, February 9, 2014

" From Their View ".. .Renata Ratajczyk

  views of women from our group at Fine Art Photographers: 
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Renata Ratajczyk: finds her inspiration from Hans Christian Andersen's "The Snow Queen"
 excerpt from her blog

"...Think about how beautiful the world often looks in winter.  The fresh white snow makes it also looking more peaceful, ethereal and encourages people to rest and reflect.  This time of the year can also be very good time to create new things and to dream about the future.  Winter is also sometimes playful and creates conditions favorable for many activities not possible to do during warmer months when the snow is absent.  That’s why particularity many children and sports enthusiast love it.  Because of winter’s playful nature, I have chosen to depict my Winter Queen as more joyful personality. "

more of her work

Saturday, October 26, 2013

From Their View...Peter Treiber,,"Ethereal Luminescence"



My primary goal as a photographer is to make beautiful images, but to make that beauty both dynamic and fascinating. The union between the motion we live in and still photography which captures that motion seems to be the place where this “dynamic beauty” fuses. This series, “Ethereal Luminescence”, is a study of color abstraction, light and motion in the popular and active places where we find pleasure and exhilaration.


Technical notes: All of these photographs were made with a high resolution digital camera as single exposures with a technique, created by me, which I call camera painting. Only very minimum color corrections and cropping were made during post production. More of this work here and here.

Peter Treiber Photography
ph: 610.867.3303 fx: 610.867.6607
Email:  peter@ptphoto.com
Web Site         cell: 610.554.0337
Publisher of the book Inside Bethlehem Steel
Member: ASMP  American Society of Media Photographers
Art Center Portfolio     Behance Portfolio    AdWeek Portfolio
Print sales:GlowArtworks       OCDesignerSource

Sunday, October 20, 2013

From Their View "Dream Walking".....David Aschkenas

 

" A couple of years ago there seemed to be an ongoing debate about what "look" only film could produce, as opposed to anything digital.  I decided to rework a group of photos from the last 30 years, done in virtually every format from 4 x 5 view camera color and b & w film, 2, 1/4 film, 35mm neg and chrome film, polaroid SX 70 film
and finally digital imagery, to give them and interesting cohesive look that you could not tell what image was made with what film or technique.  Of course all of this was done digitally.

I don't anyone could determine what the original was made from in terms of format or material."

Link to other DREAM WALKING photos here



Link to web site here

http://www.daschkenasphoto.com

Saturday, September 14, 2013

" From Their View " 2...George L.Smyth, Peter Gorwin, Jim Barnard

The second in our series open for discussion:


At one time Braddock was a city of over 20,000 people, but the collapse of the steel industry and infusion of crack cocaine reduced it to a little over 2,000 inhabitants. However, this is not a place that has given up. A strong mayor and the determination of the people are starting to pay off, though there is a very long road ahead.

The Braddock Project - Part 1 is the beginning of a project where I will visit the city twice a year over the next decade to document the resurgence. This is a baseline that will tell us where it has been. Indeed, a number of these places no longer exist, as the city works its way back.

These images are scans of prints created through the Bromoil process, a labor intensive, time consuming procedure where the silver is removed from a traditionally created darkroom print and replaced with lithographic ink by striking its surface with a stiff, ink charged brush. It adds an ethereal atmosphere to the scene, allowing the viewer to enter and understand the image on their own.






For more images from this project visit www.GeorgeSmyth.com
HandMade Photographic Images: GLSmyth.com
The Dividend Reinvestment Resource Center: DRiPInvesting.org
Blog: GLSmyth.wordpress.comct please visit GeorgeSmyth.com


 
a) The Birdbath in My Garden:
Photographed with a medium format 4x5, wide angle pinhole camera.
I took it using b&w film. I've printed it using a hybrid process, a Pictorico OHP
transparency generated from an Epson 2200 internegative, and then a Van Dyke.
The negative has also been scanned, and digitally printed using fine art paper.
It was captured several years ago while my wife and I lived in Southern California.
No need to explain anything about it further.


b) Cat and Her Shadow, Istanbul, Turkey 2007:
Captured with a Nikon D2X while on a trip to Istanbul in 2007 using a good
14 mm Nikkor 2.8 lens. The lens accentuated the the s-curve of the feral cat and her discovered shadow
while she was cradled in the the arc of the cobblestones. (I assume it was a "she," but I have
no way of knowing.)

It was shot in RAW color and brought to b&w through manipulation of the channels.
I then digitally sepia toned it. As usual for me, it would be printed on flat, natural rag.


I sometimes photograph animals when they reveal a certain intelligence, a certain awareness in the moment that I'm fortunate enough to capture.  Animals, however, are not a subject that I gravitate to often, just when I see what I just described. I'm very interested in saying things simply with my photos, but I hope what I aim to say with an image isn't that simple.
www.petergorwin.com


The work and pleasure of my photography is discovering some particular beauty of a person, place or object, and then showing that beauty in play with the wondrous and sensual qualities of light.







In these portraits I used only natural light (and a white card) to illuminate the natural beauty of my subjects.



To see more of my work,  http://www.JimBarnardPhotography.com


Saturday, September 7, 2013

" From Their View " 1, John Voss,Walt Stricklin,H.William Lewis

This is the first of this series open for discussion via the comments below.

Fine Art Photographers introduces 


The lone tree by the lake is a subject I've returned to in different seasons and times of day.  This was taken at sunrise.  The rood in the field with sunlight was pure serendipity.  I had also photographed the cross before, but without much drama or interest.  As I passed this field one morning, though, the fog, the sun, and the cross composed themselves for me, and I merely had to press the shutter!  For more of my work, you may visit www.johnvossphotography.blogspot.com. 
It's not a website with selected images, but rather an ongoing presentation of images more or less when I make them.  
Thank you for looking. 




Country Churches, is autobiographical project and  exploring rural churches was ingrained in me from growing up the son of a country preacher. Never seeing eye-to-eye with my father’s orthodoxy, I did discover in the quiet simplicity of these churches a truer meaning of faith.



Rambling through the back roads of the rural south brought up feelings I had not expected. There is something special about these church buildings—they have a sense of community and comfort in their architectures that grounds the soul in the common sense that went into their construction.

I try to capture the universal “Us” in everyday situations, connecting the viewer to our shared experiences. I believe our environment shapes us as much as we shape our surroundings and I want my images to celebrate the common characteristics of places and people and how they all fit together.”
http://www.waltstricklin.com


Almost every morning and evening I take our dogs out for their walks. It had been raining in the night and I was looking for something to photograph that would show the after effects of the rain. I was struck by this leaf and the way the water droplets were arranged large and small. I converted the color raw image to black and white. 



Panasonic Lumix DMC FZ35 in raw + jpg using the following setting: F/2.8, 1/100 sec, ISO 100, Exposure Comp -.7, 27mm focal length,
The raw image was processed in Photoshop CS6 and converted to black and with with either Topaz Black & White or Nik Silver Effects 1.0.
 



http://www.naturephotographybyhwilliam.com
http://www.hwilliam.wordpress.com

Thursday, September 15, 2011

Phoneography... part one

Anyone aware of the history of photography doesn't have to be told how far we have come. From the "Camera Obscura" to film and now digital, it has provided a steady growth of expression with newer techniques and tools pregress. For those who pursue its medium a new forms of art or looks emerge  with every advance .

Across its brief 150 years apprx, it has struggled in its acceptance as art, coming into its own buyer's scene within the last 20 years or so. It became the realm of masters who were capable of handling the equipment along with its technical procedures and could successfully express and produce fine photographic art. For the most part, it took years of experience.The struggle of films,chemistry,and technique kept the masses at a great distance. Enter digital and with it a  new door opened allowing new artists who might not have be here had media remained the same. What did remain for a long time however, was the tool.

A new tool is born..the Cell Phone: Tool for the masses..

Unobtrusive, at hand,capable of not only processing an image and tweaking its look, but immediately publishing it from within and on the spot, it gives birth to a whole new world of potential artists, some of which have probably never been photographers before. Every person I know has at some point shown me his "Pocket Images" some good, some bad, all fun but mostly random . In their hands, an instant photographer;  In others... an artist's expression, and these are some of what can be done through their eyes and experience taking this new tool to higher level :



Chris Hudson  an award-winning Art Director and Creative Director at advertising agencies in London and New York, is a member of the Royal Photographic Society and London Independent Photography.
With his keen eye for color, he finds new freedom with his cell phone and some of the apps that can be had. Here is the  Hipstamatic app. This from a flower series is part of his current book project. 







While in Iceland, he was so impressed by the quality of the phones ability to produce a quality image that he shot half of his trip with his iPhone.





Experiencing the same in my last travel, my assortment of lenses remained in my bag. The freedom and fun of my phone allowed me to see subjects in a whole new light, a different approached unencumbered by multi-equipment decisions and with no one to be suspicious of who I was and what was my motive, I was free.

 

Apps allowed processing after capture and adding a frame, to re-interpret scenes with a different light. This famous New York icon takes on a different look than its predecessor one hundred years later.





Imagery while waiting for lunch and published before it comes opens a whole new world with its a very addictive visual fever. More than just a sketch book, it becomes a final product.




But we are not just one brand of tool as it is really the person behind them that matters most. In capable hands this new tool, like discovering something other than a paintbrush, creates a whole new way of painting.  Donna Callighan  has been a successful professional photographer for over twenty years. Her approach in this new form is rather than use an in phone app, she processes her "cellimages" in Photoshop with her unique style.


This is part one of of this series of Phoneography. If you wish to contribute images for review, contact me through my profile...My thanks to both Chris and Donna for their contribution. 

Sunday, April 3, 2011

Featured Artist...David Fine

Some see small things in big subjects and some see big things in the small ones, David Fine sees   bold graphics in his.

Hailing from Georgia, he applies his more than twenty years experience in the commercial world to his art. His focus is on three areas:



*Things That Rust and Splinter
*Things That Splinter
*Nature and Landscapes



"All 3 areas of study can be summed up in the exploration of the impact of time on our landscape through things that rust and things that splinter.  I am drawn to abandoned places that hold secrets of yesterday where time has clearly created new textures, colors and shapes that fold into our landscape.  I focus not only on shape, texture and color, but on the interaction of the elements within our landscape. I have always been drawn to the desert and the West.  Those that visit the desert either love it or hate it, with very little in between.  Every visit I take leads me in a different visual path where at times the silence is deafening, the light is brilliant, and the moment of capture is clear. "

These two images are from his series "The Pass", a small collection of views of an abandoned 1937 Flat Head Ford truck.
" I originally found this truck as I was hiking through the desert in Southern California near Death Valley. The gentle lines and shape of the truck create their own landscape, color pallet, texture and feel in one of nature’s most challenging environments. "



He works in medium format, first film and recently digital seeing his subjects from the wide perspective a 40mm gives. 

"Walking the streets of Bodie many times over, this was perhaps my coldest visit ever.  I always have a new experience there, and this time was no exception.  While a snow storm closes the pass, and the wind blows cold as ice – there is nothing like trying to manipulate a tripod and dials on a camera."

These are Wheel in the Sky and Time Spoken..


More of his work can be seen ...............HERE

Monday, March 21, 2011

Featured Artist...Stephen Tomasko

Images speak differently to each of us. Sometimes they take on other meanings not intended by their creators. This week's featured artist, Stephen Tomasko puts it best...
"For me, making photographs, especially involving people or the things that people make, is about story telling. As with any type of story, if engaged, people will bring their own history and sensibilities to round out a narrative. My goal then is to make an image beautiful and compelling enough to make the viewer want to linger, and in some way then make it their own. "
I have passed this scene many times in many cities,someone's portrait being drawn or painted.The subject sitting in anticipation, trying not to make eye contact with the viewers whose faces might reveal the results. Here she is either complacent or on edge pressing on her elbow, her hands wrenched hoping for the person she wishes to be appear on paper. I have stood in this same spot as part of this audience. Not wanting to make eye contact I too have felt the same apprehension as she does in this image making it hard to witness the end. It's a uncomfortable barrier that I can however, safely cross here via this photograph thanks to the recognition of the moment Tomasko captures. It works for me, and in this comfort zone, as Tomasko says, makes me linger. 

"Boys and Girls" is about the roles that we play in our culture. It is also about the excitement and terror of relating to one another. These images were all found in the American landscape, processed minimally, and printed full-frame. Aside from being true, they are also better than any I could have concocted in my own head. Of course, they are interesting as images because of the composition and the framing, and the recognition of and reaction to the light. These things I can do. It’s for the continued supply of American weirdness and wonder that I’m reliant, always surprised and forever grateful.



Stephen Tomasko makes photographs of the natural and the man-made. He has created bodies of work with subjects as diverse as the steel and automotive industries, the life and landscape of the American city streets, and pristine blooming gardens. Tying the work together is a vision of carefully seen straight photography, presented full-frame, with minimal processing. 










For more his work go here