"From Their View"...Bernard Kessler...

The two photographs, Silent Space #3 
and #5 are in my book published by Blurb, SILENT SPACES, devoted to the exploration on the extraordinary in the ordinary.


 Simple photographs of things in otherwise empty space.  They are stark. without visible flamboyance, but filled with a sense of transcendental meaning that takes us beyond the visual surface.


 It is my experience that each and every thing we can see can be communicated with beyond the surface.  It is as though we are at the edge of a pond.  When we move from the edge’s surface into the depths our understanding of the pond increases.  The pond becomes more complete, more interesting, communicating its essence.

My experience over the 75 years I have been photographing is that the essence of the subject is not merely what I am seeing, but instead communicates from a different dimension,
a welcome, mysterious comfort.

A columnist reviewing SILENT SPACES suggested the content as an example of the art philosopher, Arthur Dante of Columbia University book, THE TRANSFIGURATION OF THE COMMONPLACE.  Not an easy read as I searched for an explanation. It is a scholarly document exploring, analyzing, diagnosing the process but no "how tos." 
I have  been introduced to many possible explanations.  It has been an interesting exploration ranging from the spiritual beliefs of Native American Indians to Quantum Mechanics, via Werner Heisenbergs’s  UNCERTAINTY PRINCIPLE.

Evidence of what happens is clearer than how.
So be it.
more of Bernard's work ...http://www.flickr.com/photos/zennature ... 

" From Their View " 1, John Voss,Walt Stricklin,H.William Lewis

This is the first of this series open for discussion via the comments below.

Fine Art Photographers introduces 

John Voss:

The lone tree by the lake is a subject I've returned to in different seasons and times of day.  This was taken at sunrise.  The rood in the field with sunlight was pure serendipity.  I had also photographed the cross before, but without much drama or interest.  As I passed this field one morning, though, the fog, the sun, and the cross composed themselves for me, and I merely had to press the shutter!  For more of my work, you may visit www.johnvossphotography.blogspot.com. 

It's not a website with selected images, but rather an ongoing presentation of images more or less when I make them.  

Thank you for looking. 

Walt Stricklin:

Country Churches, is autobiographical project and  exploring rural churches was ingrained in me from growing up the son of a country preacher. Never seeing eye-to-eye with my father’s orthodoxy, I did discover in the quiet simplicity of these churches a truer meaning of faith.

Rambling through the back roads of the rural south brought up feelings I had not expected. There is something special about these church buildings—they have a sense of community and comfort in their architectures that grounds the soul in the common sense that went into their construction.

I try to capture the universal “Us” in everyday situations, connecting the viewer to our shared experiences. I believe our environment shapes us as much as we shape our surroundings and I want my images to celebrate the common characteristics of places and people and how they all fit together.”

http://www.waltstricklin.com

H.William Lewis:

Almost every morning and evening I take our dogs out for their walks. It had been raining in the night and I was looking for something to photograph that would show the after effects of the rain. I was struck by this leaf and the way the water droplets were arranged large and small. I converted the color raw image to black and white. 

Panasonic Lumix DMC FZ35 in raw + jpg using the following setting: F/2.8, 1/100 sec, ISO 100, Exposure Comp -.7, 27mm focal length,
The raw image was processed in Photoshop CS6 and converted to black and with with either Topaz Black & White or Nik Silver Effects 1.0.
 

http://www.naturephotographybyhwilliam.com

http://www.hwilliam.wordpress.com